Dictionary of Artists

 

To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.

 

Canella Antonio *

CANELLA ANTONIO
Attivo fra il 1870 e il 1887
Pur nell’assenza di notizie biografiche sull’artista, la cospicua documentazione espositiva lo rivela orientato alla pittura di genere, che trattò sia a olio sia a pastello sia ad acquerello: presente alle mostre di Milano (1870, La visita del Mecenate, 1877, Contemplazione; 1881, Bibliomane) e di Torino (1870, Visita all'amico; 1875, In sagrestia; 1882, Un uomo d'ingegno), Canella espose, più raramente, anche a Genova (1875, Filarmonico).
You are here: Home Dictionary of artists Canella Antonio *

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.