Dictionary of Artists

 

To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.

 

Riveruzzi Giovanni*

RIVERUZZI GIOVANNI
Attivo a Roma fra il 1832 e il 1856
Le rare notizie sull’artista, originario di Terni, lo indicano presente a Roma almeno dal 1832 (con studio prima in via San Venanzio, dal 1851 in via Nuova e dal 1856 in piazza dell'Aracoeli). Acquerellista, alle mostre della Società Amatori e Cultori espose vedute di Roma e dei dintorni (1832; 1851, due Vedute delle cascatelle di Tivoli, Una veduta di Villa Albani, Una veduta di Villa Borghese, Il Vaticano veduto da Monte Mario, S. Giovanni in Laterano veduto dalla villa Mattei), nature morte (1832, Una testa di cervo) e soggetti religiosi (1856, Il Nazareno).
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