Dictionary of Artists

 

To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.

 

Mondini Giacomo*

MONDINI GIACOMO
Verolanuova (Brescia) 1825 - 1888
Iniziò la sua formazione artistica a Brescia e proseguì gli studi all'Accademia Carrara di Bergamo. Nel 1861 presentò all'Esposizione di Firenze Dante e Virgilio che incontrano Oderisi da Gubbio (Torino, Galleria Civica d’Arte Moderna), Visione di San Pellegrino e Cristo che risuscita il figlio della vedova di Naim. La sua produzione seguente fu orientata verso i soggetti religiosi e i ritratti (La comunione di San Luigi Gonzaga, Ritratto di Carlo Zima, Torino, Galleria Civica d'Arte Moderna).
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