Dictionary of Artists

 

To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.

 

Dugoni Antonio*

DUGONI ANTONIO
Cividale (Udine) 1827 - 1874
Iniziati gli studi a Udine, dal 1841 al 1845 frequentò l’Accademia di Venezia avendo per maestri L. Lipparini, M. Grigoletti e O. Politi. Pittore di indirizzo classico e accademico (David, 1847,Venezia, Galleria d'Arte Moderna di Ca' Pesaro; Madonna Addolorata, chiesa di San Pietro in Volti, Cividale), aderì alla corrente purista, con opere come Madonna tra i santi Elisabetta e Luigi IX di Francia (1861), le cinque Storie di sant'Antonio (1865-1868 ca., chiesa di Sant’Antonio, Gemona), Via Crucis (1873-1874, chiesa di Suffumbergo, Udine). Nella ritrattistica seguì le orme di G. e A. Tominz (Ermanno Groppo, 1863, coll. privata; La Contessa Maria de Puppi, 1863, coll. privata; Angelina Vianello,1868, Udine, Museo Civico).
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