Dictionary of Artists

 

To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.

 

Demichelis Giovanni*

DEMICHELIS GIOVANNI
Torino 1849 - 1888
Si formò negli anni '60 all'Accademia Albertina di Torino. A partire dal 1871 espose dipinti a olio e disegni dai titoli romanticamente appassionati, soprattutto a Torino (1872, Camoens negli ultimi anni, 1873, Difesa di Torino, 1706; 1875, Vae Victis; 1876, Amleto e Conforto), ma anche a Milano (1874, La monaca di Monza) e a Genova. La confessione del Giaurro, presentato alla Promotrice di Torino del 1871, fu lodato dalla critica per il tema «interpretato con intelligenza ed energia». Svolse anche attività di grafico e illustratore, fra l’altro per il giornale satirico Pasquino.
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